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But I really won’t sweat myself on a track by track just because you won’t bother to give this record a listen. Like the lazy, unmotivated slob that I know you are, you want me to give you some highlights, so you don’t have to waste time digging out for yourself. A fantastic pop album.Īnd I know what you’re thinking now, dear reader.
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Just be sure to get rid of the typical perception you might have of the band, the roots-rock-but-not-good-at-anything-else one and see the album as it is.
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With its fair share of classics and its splendid consistency, it’s hard to be a ‘60’s admirer and not fall in love with it. Unjustly forgotten, just like the rest of the ’66-’67 period of the band, but uniquely beautiful and charming at the same time. Which is what robs the album of a higher rating.Īll in all, this is more or less a fantastic effort. Me, I enjoy it more often than not, but I’m not always in the mood for it, but you could absolutely hate it and it’s not hard to see why. It certainly has its charms, what with the always changing improvisations of Jagger, but this is certainly an acquired taste. But the whole song plays out like a seemingly endless jam and I can’t say it’s a stone cold classic, innovative as it is (first recorded long jam from a rock band). Now, the main melody and songwriting is great, just like anything else here the “bom bom bom back home” part is in a class of its own. The only part of the album that is sure to split listeners is the 11 minute Goin’ Home. They can be outright frightening, pummeling their respective instruments with unstoppable force, as witnessed on the opener, implement an understated interplay on ¾ throughout I Am Waiting or just ripping through It’s Not Easy, bolstered by Bill’s fuzz bass. Speaking of which, the rhythm section comprising of the always bored Charlie Watts and the always stiff Bill Wyman is stellar here. Whether he’ll be adding some Eastern influence with menacing sitar lines, elegance with the dulcimer or mystique with the marimbas, Brian proved he was able to move on to other musical explorations, just like his band-mates.
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No other musician at the time boasted such an incredible talent for unconventional instrumentation and an ear for creating counter-melodies for all the main hooks in every song. What makes the whole experience even more unique has to be Brian Jones, who emerges from his “pure-blues” period and begins his short, but brilliant role in the band as the “man who played a million instruments”. In other words, the boys showcase a terrific mastery of diverse, captivating songwriting. And, if you’re in for some romance, you have your Elizabethan/medieval ballad in the form of Lady Jane, or the really goth-like I Am Waiting. You can also relax with a couple sweet country affairs like High And Dry. Then, you are treated with some Motown-ish, but very nasty and harsh pop tunes, like the swinging Under My Thumb and the dramatic Out Of Time. You have the folk-based Mother’s Little Helper opening the album with a blast. But what is more, you can see them take this danger and raw power that exists at the core of their sound and transform it in a million ways even get rid of it completely sometimes. You can hear them churn out rock’n’roll numbers with their often imitated, but never matched, wildness and charisma on Flight 505 or Stupid Girl, sure. The songwriting duo of Jagger/Richards has a strong sense of where it’s heading for the majority of the album, despite closing with a more or less generic, but still enjoyable, pop number ( What To Do). Recorded between the tail end of 1965 and the start of the next year, the album dives into the pop vibes of the era, but don’t mistake this for a cheap, bandwagon-jumping excuse of a record. If Out Of Our Heads showed they could pen a couple of great singles, Aftermath was their chance to prove everyone that they weren’t a gimmick, but a staying power.
#The rolling stones aftermath professional#
After a string of albums comprising mostly of covers, with some originals here and there, the Stones released a record built entirely around their own compositions and solidified themselves as long-term professional songwriters. This was, and remains, the biggest step forward in the band’s career. Review Summary: An almost perfect pop effort.